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Karl Briullov
Portrait of Anna Petrova
mk149
1841
Oil on canvas
79.5x67cm
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Karl Briullov
Portrait of Princess Maria Volkonskaya
mk149
not later than 1842
Oil on canvas
103x85cm
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Karl Briullov
Portrait of Count Alexei Perovsky
mk149
1836
Oil on canvas
136x104cm
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Karl Briullov
Portrait of Maria Beck with her daughter
mk149
1840
Oil on canvas
246x193.5cm
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Karl Briullov
Portrait of the young princesses volkonsky by a moor
mk149
1849
Oil on canvas
146.1x224.1cm
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Karl Briullov
Portrait of pricess yelizaveta Saltykova
mk149
1841
Oil on canvas
200x142cm
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Karl Briullov
Portrait of Ivan Krylov
mk149
1839
Oil on canvas
102.3x86.2cm
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Karl Briullov
Portrait of Prince Mikhail Obolensky
mk149
1840-46
Oil on canvas
123.7x106.7cm
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Karl Briullov
Portrait of Countess Yulia Samoilova with her Adopted daughter amzilia pacini
mk149
not later than 1842
Oil on canvas
249x176cm
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Karl Briullov
Sweet Waters near constantinople
mk149
1849
Watercolour on paper
69x87cm
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Karl Briullov
Riders
mk149
1849
Watercolour and black chalk,heightened with lacquer,on cardboard
69x50.9cm
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Karl Briullov
The Moor of Peter the Great taking Leave of the countess
mk149
1847-49
Watercolour and black chalk
Heightened with bronze,on paper
23.7x25.9cm
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Karl Briullov
By Allah-s Will the Shirt is Changed once a year
mk149
1843
23x18cm
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Karl Briullov
A Turkish Woman
mk149
1837-39
Oil on canvas
66.2x79.8cm
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Karl Briullov
Two ladies on the balcony and a horseman
mk149
1847-49
Sepia on paper
26.5x23cm
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Karl Briullov
A Rendevouz in constantinople
mk149
1837-40
Watercolour and black chalk,Heightened with lacquer
on paper
33.6x27cm
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Karl Briullov
Midday in a Caravanserai
mk149
1835
Sepia and lead pencil on paper
32.5x28cm
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Karl Briullov
Love Scene in a park
mk149
1847-49
Sepia on paper
22x17.5cm
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Karl Briullov
St John the Divine
mk149
1843-47
Oil on canvas
53x42cm
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Karl Briullov
The Evangelist Mark
mk149
1843-47
Oil on canvas
35x48cm
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| Karl Briullov
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Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.
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